Jonathan González’s Lucifer Landing II draws intersections between black life and current geopolitical movements to imagine lateralized intimacy on a damaged planet. Informed by concepts championed by June Jordan, Buckminster Fuller and the Lower East Side Nuyorican collective CHARAS, González exhausts mechanisms of the ‘epic’ in human innovation and the theatrical conventions of classical opera to fathom the possibility of living and dying well.

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Member of the design team and the sound orchestra in the opera.